4 Way Street | ||||
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Live album by Crosby, Stills, Nash & Young | ||||
Released | April 7, 1971 (original) June 15, 1992 (expanded) |
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Recorded | June 2–July 5, 1970, New York, Chicago & Los Angeles | |||
Genre | Rock | |||
Length | 76:35 (original) 109:35 (expanded) |
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Label | Atlantic | |||
Producer | David Crosby, Stephen Stills, Graham Nash, Neil Young | |||
Crosby, Stills, Nash & Young chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [1] |
Robert Christgau | B−[2] |
4 Way Street is the third album by Crosby, Stills & Nash, their second as Crosby, Stills, Nash & Young, and their first live album. It was originally released as Atlantic Records SD-2-902, shipping as a gold record and peaking at #1 on the Billboard 200. A document of their tour from the previous year, the live recordings presented were taken from shows at The Fillmore East, New York, June 2–June 7, 1970 The Chicago Auditorium, Chicago, July 5, 1970 and The Forum, Los Angeles, June 26–June 28, 1970.
Contents |
The album contained material previously available in studio versions, from both the various affiliations and individual work of the four principals. Two songs each by Nash and Crosby had not been officially released by its writer at the time of the arrival of this album in the shops: "Chicago," soon to appear one month later on Nash's Songs for Beginners album, and "Right Between the Eyes"; "The Lee Shore" by Crosby, as well as his controversial ménage à trois "Triad" composition, recorded by Jefferson Airplane on their Crown of Creation album of 1968, and by The Byrds, but not released until 1987 on the compilation "Never Before" and later as a bonus track on The Notorious Byrd Brothers reissue.
At the time this album was recorded, tensions between the band members were high, with their dressing-room fights becoming the stuff of rock legend, even being referenced by Frank Zappa and the Mothers of Invention in their 1971 LP Fillmore East - June 1971. The tensions led to CSNY dissolving shortly after the recording of Four Way Street (and many months before its release). The next release of new material by the firm proper would not be until CSN of 1977.
The original double album LP came packaged in typical CSNY fashion, a gatefold sleeve without a track listing. On the gatefold was a black-and-white picture of the band sitting on a bench, with Nash and Crosby's heads perfectly framed by a wire clothes hanger hanging in front of them, with recording information and credits in the lower-right-hand corner. The only track listings on the album appear on the LP's labels, and on the fold-out poster that also included full lyrics.
The album went to #1 upon its release[3] and also garnered a positive review in Rolling Stone where the reviewer called it "their best album to date."[4] Other more recent reviews have also been positive.[1]
4 Way Street was released in expanded form for compact disc on June 15, 1992. The expanded edition included four songs done by each member as an acoustic solo vehicle. Young performed a trio of songs from his first two solo albums as a medley; Stills included "Black Queen" from his eponymous debut, a tune he would revisit many times in his career; Crosby added a version of the song "Laughing" from his debut; and Nash did "King Midas In Reverse", The Hollies' single from 1967, his bid to have that band taken as a more serious entity in the pivotal year of flower power. Though credited to Allan Clarke and Tony Hicks as well, "Midas" was actually written solely by Nash: the three Hollies had had a pact to share publishing regardless of authorship, in an arrangement similar to that of John Lennon and Paul McCartney while in The Beatles.[5]
Additional tracks from the tour appeared on Young's The Archives Vol. 1 1963–1972, released in 2009.
Album
Year | Chart | Position |
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1971 | Billboard Pop Albums | 1[3] |
Organization | Level | Date |
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RIAA – USA | Gold | April 12, 1971 |
RIAA – USA | Platinum | December 18, 1992 |
RIAA – USA | 4X Platinum | December 18, 1992 |
Preceded by Jesus Christ Superstar by Various Artists |
Billboard 200 number-one album May 15–21, 1971 |
Succeeded by Sticky Fingers by The Rolling Stones |
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